Alexander Grabovetskiy, woodcarver, School of Woodcarving · Published 2017
How do Auriou, Ashley Iles and Pfeil carving tools compare?
Quick answer: Comparing these three carving tool makers is a look at the handle and the steel thickness, after I said the three are tempered alike. Pfeil has the thinner octagonal handle, Auriou a thicker one, and the Ashley Iles has a round English handle on thicker steel. My order here was Auriou first, then Ashley Iles, then Pfeil.

Wood carving tool brands like Auriou, Pfeil and Ashley Iles are tempered close to one another, and in this lesson I compared them by the handle and the steel in my hand. Auriou came out first if you can afford it, Ashley Iles second, and Pfeil third.
Like probably everybody else, I had to ask what tools to buy. When I came from Russia I owned one gouge and one knife. That was everything. My teacher gave me the gouge, and the knife I made myself. Then I landed in the United States and found out you can buy absolutely anything here. You need only work out where, and how much the thing is going to cost you.
Do you want a gouge that holds its edge for a long time? Do you want a handle that still feels right in your hand after a long day at the bench? Then look at how these three makers differ in my hands, and read what changed after I filmed it, because some of it did.
My order of makers, then and later
- Auriou first, Ashley Iles second, Pfeil third.
- Ashley Iles pays me nothing, and still the bulk of what I own is theirs, mostly fishtails that get into corners.
- Their steel hardness sits close together.
- A newer Auriou batch I bought later let me down.
- The Pfeil handle is thinner, and an Auriou handle is about as thick as an Ashley Iles.
- Schaaf and BeaverCraft were my 2020 picks for the lowest price.
Which maker was my first set in America?
A Swiss Made set, because that was what I could buy right away. In the United States the same tools are called Pfeil. When I looked at one, I saw how straight it was assembled and how nicely it was done, and it was just a really nice tool to work with.
Good tools. What I like about Pfeil is the steel, which holds the edge really long, and the thickness is really nice too. Straight tools, long lasting, and the handle just fits my hand really nicely.
Which wood carving tool brands will you find in a store?
Two or three, at a store like Woodcraft. When you go there, you will not find too many different brands. The main one is Pfeil, then probably Flexcut, and maybe some Dockyard miniature tools, and that is it.
Then I found out there are a lot more choices. Online I could buy Ashley Iles, Auriou, a German brand called Lamp, Two Cherries, Dastra, Stubai and Henry Taylor tools, and so on. I have multiple brands on my shelf, so I can tell you what works for me. There are different opinions, and I do not want to argue.
Flexcut is one of the names on that Woodcraft shelf. On a livestream on April 5, 2020 I said that for me it is not the best tool for a professional result. It could be used for undercutting, but not for everyday work, because the ribs on that tool are really sharp, and they get to your hand while you try to control it. Nothing wrong with the tools, and you can still carve with them. And I never use mine.
How close is the steel hardness of these makers?
I would say they are all about the same, as far as how they are tempered. For Pfeil, if I remember correctly, it is from 59 to 61 HRC on the Rockwell scale. The Ashley Iles figure is HRC 61, and Two Cherries is about 61. The exact number for Lamp I do not know, and I would assume about 58 to 60.
On that same livestream somebody asked how long a tool set lasts. Those professional tools, I said, last a lifetime, and I have some tools from when I was 16 years old that are still in good shape. It all depends how you take care of them. How long the edge holds depends on the brand, and on whether it is a softer metal or a harder one.
In that same answer I gave Ashley Iles as Rockwell 59, not the 61 I read off in this lesson, and said I believe that is why I like them, because they are really easy to reshape and quick to buff.
Should a carving handle be round or octagonal?
Round suits my hand for a long day, though I like both. To compare exactly the same tool, I held a Swiss Made number seven and then took an Ashley Iles. You can see the Ashley Iles is built absolutely differently, starting with the handle. The traditional English round handle with its satin finish comes from Ashley Iles. Hold a tool all day long, and those ribs of an octagonal handle are less comfortable in my hand than the rounded one. For me the round one wins, though I would not call the gap enormous.
An octagonal handle laid on the bench stays exactly where you put it, and that is perfectly true. Some people told me a round one rolled off on them multiple times, especially a small tool. I carve every single day, I have owned round handles about as long as I have owned octagonal ones, and not once in my life has a tool rolled off my bench. If it happens to you, put some kind of mat on the bench and lay your tools on it.
Why are most of my tools Ashley Iles fishtails?
Thick steel, and a shape that gets into corners. You have to understand, I am not getting any money from Ashley Iles, and I am not trying to advertise those tools. Put one side by side with a Pfeil and you can see how thick it is. The English steel is noticeably thicker.
The fishtail is what most of mine are, although they make other kinds too. I really like them, because you can get to the corners with a fishtail.
In a question and answer lesson I put two number nines next to each other, both marked six millimeters, about a quarter inch. The straight one has a long groove inside, and I can use it pretty much all my life until that groove ends. The fishtail has only a tail, like a fish, and the rest of it is just the stem.
Now the difference. I can get inside a hole with the fishtail, rotate it, and carve all around in there, and that is how I do my deep excavations. With a straight tool you can get inside, but you cannot rotate it. I can also use just the corner and get into tiny spots where a straight tool will not go. The number nine is the one I like to use the most.
What do I check on any maker's gouge?
Whether the tool is really straight, the handle against the gouge part itself. That is a really important part when you are buying your tools, although it is not that big of a deal.
Swiss Made tools carry a marking. One I held up in 2020 had the number 11 for the sweep, which is a U shape, and a 4 for millimeters, a little less than 3/16 of an inch. Some tools have no marking at all. An English tool I held up had only a little mark on the side, a number six, with nothing about its width.
A professional really does not need to know how wide a tool is. I look at a tool and know it is about one inch, pretty much 25 millimeters. British carvers follow what is called the London pattern, and you can see all those sweeps on Tools for Working Wood.
What put Auriou first in this lesson?
A beautiful design on a thicker handle. It is a French-made tool, and Auriou started to sell in the United States only about six years before I filmed this lesson. Octagonal handle again, thicker than Pfeil, and about equal in size to an Ashley Iles handle. The temper of the steel is close to the others, and the edge lasts a long time.
So I said that if you can afford them, Auriou is probably the choice number one for the beginner set, although it is a professional tool that will last you a lifetime, and you will use it every day. I have had my tools for years, and I use them daily. If I started collecting my tools from the beginning again, I would probably do the same thing.
Look at a number eight by Ashley Iles. It is massive, a really strong tool. And of course, if you abuse a tool, it does not matter how nicely it is built. It can still be broken. In the beginner course, the gouge I took for the curly kitchen cutting board was a number eight too, about 10 millimeters, about three-eighths of an inch, an Ashley Iles made in England.
For micro carving I really love, again, the Peter Benson collection that Ashley Iles makes. They are not really micro. More like mini chisels and mini gouges, and you can get in really tiny spots with them. On another livestream that April I held up a micro tool by Peter Benson and said Peter Benson is also a master woodcarver. In that stream, carving the eyes with a number nine of one-eighth of an inch, I said it does not matter what brand. You can use Pfeil, which is mostly available, and I was using Ashley Iles because I really love those tools. Sharpening tools that small has a lesson of its own.
The four makers stood like this in the lesson.
| Maker and country | What I said about it in this lesson | Where it stands |
|---|---|---|
| Auriou, made in France | Beautiful, holds the edge, and the octagonal handle is as thick as an Ashley Iles | First, if the money is there |
| Ashley Iles, from England | Thick steel, mostly fishtails, a round handle with a satin finish | Second, and most of my tools |
| Pfeil, marked Swiss Made | Straight, lasts long, keeps a good edge, with a thinner handle | Third for me |
| Lamp, German steel | I own only micro tools, and they showed rust sooner than my Pfeil | Not the bigger sizes |
Which tools rusted on my shelf?
My Lamp tools. Lamp is a German steel, sold, I believe, by Woodcarvers Supply, and I have only micro tools from them. I saw some rust on those tools. They were lying on the same shelf, right next to my Pfeil tools, and the Lamp steel gets moisture in the metal quicker than Pfeil. I do not know how to explain why. A good tool, just not my choice. I would not buy the bigger sizes by Lamp, and I use them just for micro carving.
Did my order change after this lesson?
The top of it did. In lesson 23 of the Hashemi flowers course I came back to my favorite tools and brands, and Ashley Iles was still probably the one I liked most. I had bought an Auriou set about seven years back, when they first came on the market, and I was really impressed with how they were made, gorgeous tools with really good steel.
That year I found the latest editions and bought some more, and I expected the same quality. I was kind of disappointed, because the quality was not there anymore. It was not the same as what I had six or seven years before.
In my opinion, Ashley Iles is a complete set of all the tools you are going to need, and Pfeil gives you some unique tools that Ashley Iles does not provide. There is a whole lesson on why I reach for Pfeil more often. I really like Henry Taylor too. Those tools are not shiny like Pfeil, but the metal is gorgeous. Light tools, too, and the handle is the same traditional English handle as Ashley Iles, a little thinner.
On one more livestream that April I put it in order again. For a long time Ashley Iles had been my favorite tool maker, and their Sheffield steel is just gorgeous. Auriou was my second choice. The first batch I bought was the best of the best. After Auriou I would probably put Pfeil, Stubai and Two Cherries on the same level.
Can cheaper tools still carve well?
They can carve beautifully. On the Venice Room project I showed a set of seven Schaaf tools that look like Pfeil, opened one of them, and reshaped it the usual way, with a really long bevel. It was a number three of 20 millimeters, 3/4 of an inch. There is absolutely no difference between really high-end, expensive tools and this one, I said, and it still carves beautifully. Please do not ask me about quality, though. You cannot compare those with really high-end tools, and it all depends what you mean when you say quality.
A smaller Schaaf set of four tools I showed there was almost enough tools to start carving. On the stream where I ranked them again, I said that for just the cheapest price I would probably go with Schaaf, and maybe with the Beaver tools from Ukraine, which are actually good. Both have a lesson of their own in this course, Schaaf and BeaverCraft.
Which tools to buy first, and how many, is answered on the tools course page, so I leave it there. Keeping them sharp has a course of its own. If you want to see a number eight go into the wood, start with a beginner project.
How it's done
- Take the same tool from two makers. I held a Swiss Made number seven, then took an Ashley Iles to compare exactly the same tool. The big difference you see first is in the handle.
- Hold it the way you carve all day. If I hold a tool through a whole day, a rounded handle feels more comfortable to me than an octagonal one. I like both, and the gap is not big.
- Set the blades next to each other. Next to a Pfeil, you can see how thick the Ashley Iles steel is. That thickness is one thing I like about them.
- Check that it is straight. Look at the handle against the steel. It matters when you buy, but it is not that big of a deal.
- Read the marking. On a Swiss Made tool one number is the sweep and the other is the width in millimeters. An 11 with a 4 is a U shape about 4 mm wide.
- Lay a mat down if tools roll. Put some kind of mat on the workbench and lay your tools on it, and they will not roll anywhere.
Frequently asked questions
Which maker came first in your ranking?
Auriou, if your budget allows it. I called it probably the choice number one for the beginner set, a professional tool you use every day and keep for a lifetime. A newer batch of theirs disappointed me later, and Ashley Iles from England stayed my favorite.
Why don't you use your Flexcut tools?
For me, Flexcut is not the best tool for a professional result. The ribs on that tool are really sharp, and they get to your hand while you try to control it. Nothing wrong with the tools, and you can still carve with them, and I still have mine, but I never use them.
Are octagonal handles better than round ones?
Both work, and I like both. An eight sided handle will not roll away, which is true, while a round English one is more comfortable for me when I hold it all day long. Carving daily, with round handles on my bench about as long as eight sided ones, I never had a tool roll off even once.

About the author
Alexander Grabovetskiy
Master Wood Carver · Founder, School of Wood Carving
Alexander Grabovetskiy is a master wood carver, named International Woodcarver of the Year. He carves classical relief the old way, from acanthus leaves to full Baroque ornament. He started the School of Wood Carving, a nonprofit, to hand these skills to anyone ready to pick up a gouge.
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